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DRUM Kits DESCRIPTION Three combinations of percussion microphones are available in sets boxed in a neat and attractive foam lined travel case. The sets comprise the following OPUS microphones:
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OPUS 51 APPLICATIONS A “boundary effect” microphone system designed to capture multiple sound sources from direct and reflected sources making it good to use in those difficult to position situations. Its inherent characteristics takes some of the guesswork out of microphone placement. Ideal for all types of piano and drum kits.
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OPUS 53 APPLICATIONS New design and materials brings this condenser microphone in at a budget and is an outstanding general purpose “workhorse”, housed in a stylish and diminutive package. Ideal for overheads, brass and acoustic guitar.
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OPUS 62 APPLICATIONS Configured specifically for wind instruments with a flared bell such as saxophone, trumpet and trombone. This gooseneck-mounted microphone is fitted with a substantial clip allowing it to be positioned in the optimum position enabling it to move with the instrument. Ideal for snare, saxophone & trumpet.
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OPUS 66 APPLICATIONS Rack and floor toms benefit from good microphone placement. The small size of this mic allows for correct placement without obstructing the skin. The head of the microphone must be positioned close to the skin of the drum to produce a tight sound without resonance. Ideal for snare, rack and floor toms.
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OPUS 67 APPLICATIONS When the snare drum requires the response more typical of a dynamic microphone, this microphone is tailor made. Utilising the unique double spring clamp system the microphone head is mounted on a flexible gooseneck for optimum positioning. Ideal for snare drum, rack toms and bongos.
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OPUS 82 APPLICATIONS Configured specifically for wind instruments with a flared bell such as saxophone, trumpet and trombone, this microphone has an ultra-flexible suspension system to isolate it from mechanical noise transmission. Using the integral clip system it can be placed in the optimum position yet allowing for full movement with the instrument. Ideal for saxophone trumpet and trombone.
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OPUS 83 APPLICATIONS Designed specifically to capture the dynamics and nuances of acoustic instruments and percussion, this microphone is highly sensitive to detail yet robust enough to work with high SPL levels. Ideal for overheads, brass and electric guitar cabinets.
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OPUS 86 APPLICATIONS The new Opus 86 has been especially developed for those situations where lightweight mini mics with ultimate freedom are required. The flexible gooseneck allows individual adjustment, whilst the cardioid capsule frequency response has been optimised for live applications. Features also include a high-gain-before feedback. To avoid handling noise the microphone capsule has been fixed with a special shock-mounted suspension, detachable for ease of transportation. In conjunction with Opus wireless systems, the versatile Opus 86 provides perfect sound quality. Suitable for use with any type of instrument, from saxophone to accordion.
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OPUS 87 APPLICATIONS The most important element of a drum kit is the snare – it is hit most often, the hardest and produces a very complex sound pattern. The Opus 87 has been optimised for the snare; both electrically and physically creating an exact sound from a unique, contemporary package with a unique double spring clamp for rock-solid mounting and isolation. Ideal for snare, floor and rack toms.
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OPUS 88 APPLICATIONS The Opus 88 is an ideal condenser microphone (back electret) for miking drums, especially toms and snare drums. The microphone clamp is equipped with an integrated pre-amp. The microphone capsule is mounted on a short gooseneck allowing optimum positioning. For connection the Opus 88 is fitted with a 3-pin XLR-plug at the microphone clamp. The microphone clamp is also available without pre-amp as MKV 87 with an integrated 3/8" thread.
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OPUS 99 APPLICATIONS The Opus 99 has been developed especially for miking bass drums. The strong neodymium magnet system and a mass reduced special diaphragm give the microphone a powerful reproduction with excellent transient characteristics. The optimised frequency response guarantees audio quality which has until now, only been achieved by using high-quality condenser microphones. The hypercardioid polar pattern helps eliminate feedback in live applications and allows an optimum channel separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. With the optional ST 99 stand the Opus 99 can be placed directly inside or in front of the bass drum.
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M 88TG APPLICATIONS A very special microphone with lightning-fast response making it a first choice for percussion, acoustic and instrument applications for an 'open' sound with detail and presence. For kick-drum applications, this is probably the most frequently specified microphone in the world. Ideal for kick drum and brass instruments.
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M 201TG APPLICATIONS Another classic from the beyerdynamic 'workhorse' stable, this microphone has the unique ability of being able to work with just about all sound sources. It is just as effective when working at close proximity or at a distance where its directional characteristic really comes into its own.Ideal for overheads,floor toms and guitar cabinets.
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